mUltimate Chopin

Page:

Source:

p. 2, b. 28-40

p. 1, b. 1-27

p. 2, b. 28-40

p. 3, b. 41-54

p. 4, b. 55-69

p. 5, b. 70-84

p. 6, b. 85-97

p. 7, b. 98-110

p. 8, b. 111-125

p. 9, b. 126-138

p. 10, b. 139-148

p. 11, b. 149-159

p. 12, b. 160-173

p. 13, b. 174-187

p. 14, b. 188-201

p. 15, b. 202-213

p. 16, b. 214-226

p. 17, b. 227-238

p. 18, b. 239-252

p. 19, b. 253-264

p. 20, b. 265-279

Main text

FE - French edition

FE1 - First French edition

FED - Dubois copy

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

GE3 - Corrected impression of GE2

EE - English edition

EE1 - First English edition

EE2 - Changed impression of EE1

Select notes:

mark annotations

Category

Notation

Differences

No differences

FE - French edition

FE1 - First French edition

FED - Dubois copy

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

GE3 - Corrected impression of GE2

EE - English edition

EE1 - First English edition

EE2 - Changed impression of EE1

Importance

Undo Clear

transcript

Prezentacja

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b. 36-37

No marks in FE (→GE,EE)

Accents suggested by the editors

In the main text we suggest adding accents under c after analogous b. 180-181, in which Chopin added them most probably while proofreading FE. According to us, in [A] almost the entire main section of the Polonaise was written only once, which means that Chopin did not envision any differences between them.

Compare the passage in the sources»

category imprint: Editorial revisions

issues:

notation: Articulation, Accents, Hairpins

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3

Complete ➔

Op. 22, Polonaise