Page: 
Source: 
p. 1, b. 1-27
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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Articulation, Accents, Hairpins
Verbal indications
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Differences
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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  b. 1-15

No indications in sources

[Cor.] i [pizz.] suggested by the editors

In the sources, the fragments that are performed without solo piano in the orchestral version do not contain any indications concerning the instrumentation in the version for solo piano. In b. 1 and 15, in which an indication of an authentic instrumentation concept could be inspiring for the pianist, we add these indications in the main text based on the original orchestral voices. It is compliant with the custom adopted in the first editions of all the remaining pieces with orchestra composed by Chopin, which is also confirmed by the preserved autographs of the Variations, Op. 2, the Krakowiak, Op. 14 and the Concerto in F Minor, Op. 21 (e.g. in the 2nd mov., b. 2-5).

Compare the passage in the sources »

category imprint: Editorial revisions

issues:

notation: Verbal indications

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3