Issues : Enharmonic corrections
b. 103
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composition: Op. 22, Polonaise
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In EE the last semiquaver of the 1st beat of the bar is written down as F. In the penultimate stage of proofreading of FE (→GE), Chopin decided to change the notation to enharmonically equivalent G (traces of a correction performed in print are visible in FE). category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections , Authentic corrections of FE |
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b. 137
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composition: Op. 22, Polonaise
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In the main text we omit the cautionary before c4, featured in FE (→EE). The accidental may be a remaining part of the initial notation of the preceding semiquavers as e3-c4, which would demonstrate that the enharmonic change was performed already in [A]. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals , Enharmonic corrections |