Issues : Cautionary accidentals
|
b. 7
|
composition: Op. 22, Polonaise
..
The cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals |
|
|
b. 41
|
composition: Op. 22, Polonaise
..
In FE (→GE) a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals |
|
|
b. 46-47
|
composition: Op. 22, Polonaise
..
In the main text we omit the cautionary category imprint: Editorial revisions issues: Cautionary accidentals |
|
|
b. 59-60
|
composition: Op. 22, Polonaise
..
EE1 is lacking in the accidentals before the last semiquaver in b. 59 and the 4th note of the quintuplet in b. 60. These are patent mistakes – cf. the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Cautionary accidentals , Omission of current key accidentals , Authentic corrections of FE , Errors repeated in EE |
|
|
b. 102
|
composition: Op. 22, Polonaise
..
In the main text we omit the cautionary flats before the A category imprint: Editorial revisions |
before b in the last R.H. chord, present in the majority of the sources and poorly justified, was removed only in 
was repeated before g
2, the top note of the third on the 2nd beat of the bar, which suggests that in spite of the practical, one-part notation, Chopin led two separate voices in his mind (it is more frequent to encounter overlooked signs due to this reason, e.g. in 
Minor, Op. 25 No. 6,