Issues : Accidentals in different octaves

b. 6

composition: Op. 22, Polonaise

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In FE (→GE1), there is no  raising b2 to b2. The accidental was added in EE and subsequent GE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in GE

b. 36

composition: Op. 22, Polonaise

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The sources are lacking in the  lowering d2 to d2, which is a patent inaccuracy, repeated almost certainly after [A]

category imprint: Interpretations within context; Editorial revisions

issues: Accidentals in different octaves , Inaccuracies in FE , Omission of current key accidentals , Errors repeated in GE , Errors repeated in EE

b. 57

composition: Op. 22, Polonaise

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In the main text we add a  before e2, the 10th note from the end of the bar. Due to the previous  before e3, this accidental was sometimes considered superfluous – it is absent in FE (→GE1) – yet it was added in EE and GE2 (→GE3). Moreover, we add a cautionary  before b2 by the end of the run.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in GE

b. 73-74

composition: Op. 22, Polonaise

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In the main text we add a cautionary  before b2 in b. 73. The accidental was already added in GE as well as in EE2. Moreover, we add flats lowering c1 to c1 in b. 73 and c to c in b. 74, overlooked in FE. The former was added both in GE and EE, while the latter only in GE and EE2.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in EE

b. 75

composition: Op. 22, Polonaise

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The sources are lacking in the  raising b to b, which is a patent inaccuracy. The same in b. 219.

category imprint: Interpretations within context

issues: Accidentals in different octaves , Inaccuracies in FE , Errors repeated in GE , Errors repeated in EE