Issues : Main-line changes
|
b. 56
|
composition: Op. 22, Polonaise
..
The version of EE is most probably the initial version of this place, changed by Chopin in the last stage of proofreading of FE. In addition to its sound value, the added grace note may also facilitate the performance if played with the 1st finger. See also analogous b. 200 and the notes on the beginning and ending of the run in the next bar. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
|||||
|
b. 57
|
composition: Op. 22, Polonaise
..
Just like in b. 56, the version of EE is earlier and was corrected by Chopin in FE (→GE) in the last stage of proofreading. It is indicated by, e.g. numerous small traces of corrections performed in print, visible in FE. In the final version, the course of the melodic line from the b category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
|||||
|
b. 122
|
composition: Op. 22, Polonaise
..
Two quavers in EE is the initial version, most probably authentic. In FE one can see that the dotted rhythm was introduced only just at the stage of proofreading. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes , Dotted or even rhythm |
|||||
|
b. 130
|
composition: Op. 22, Polonaise
..
EE1 features the initial version of the 6th semiquaver, changed in the penultimate stage of proofreading of FE (→GE). The changes of the correction performed on the plate are clearly visible in FE. In addition, the changed note (b category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE , Main-line changes |
|||||
|
b. 145-146
|
composition: Op. 22, Polonaise
..
The traces of removal of rests and demisemiquaver beams, visible in FE, show that every other semiquaver was initially a demisemiquaver preceded by a rest: category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE , Main-line changes |
2-a
, which we omit in the main text, since it is superfluous in this context. The accidental was also removed in 
. In the corrected version, the variants of the rhythm including demisemiquavers are introduced gradually, which makes this sequence more varied and related to the harmonic changes.