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Issues : EE revisions
b. 57
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composition: Op. 22, Polonaise
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In the main text we add a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in GE |
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b. 57
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composition: Op. 22, Polonaise
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Just like in b. 19, we consider the missing slur over the accompanying L.H. figure to be Chopin's oversight; in the main text we suggest a slur modelled after b. 17-18 and 56. A slur was also added in EE, yet, contrary to b. 19, it does not encompass the 1st quaver of the bar. See the next note. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 59-60
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composition: Op. 22, Polonaise
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EE1 is lacking in the accidentals before the last semiquaver in b. 59 and the 4th note of the quintuplet in b. 60. These are patent mistakes – cf. the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Cautionary accidentals , Omission of current key accidentals , Authentic corrections of FE , Errors repeated in EE |
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b. 62
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composition: Op. 22, Polonaise
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In FE (→GE1), there are no accidentals before the 1st, 3rd and 6th notes under the octave sign, which creates doubt as to their sound (at least theoretically). Corresponding accidentals – category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 67
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composition: Op. 22, Polonaise
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The fact that some fragments of the melodic line were left without slurs is almost certainly an inaccuracy of notation, hence in the main text we suggest completing the slurring. The version of EE must be a result of a revision, in which the existing slur was supplemented with another one, modelled after analogous b. 29. category imprint: Differences between sources; Editorial revisions issues: EE revisions |