Issues : Errors in FE
b. 151
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composition: Op. 22, Polonaise
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All sources feature a quaver at the beginning of the bar, as a result of which the bar includes 13 semiquavers. It cannot be excluded that the mistake was already in [A]. category imprint: Interpretations within context issues: Errors in FE , Rhythmic errors , Errors repeated in GE , Errors repeated in EE |
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b. 220
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composition: Op. 22, Polonaise
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Just like in b. 76, the dyad of the bottom voice (e1-a1) in FE is a crotchet. The patent mistake was corrected both in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
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b. 237
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composition: Op. 22, Polonaise
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In FE (→GE), there is no restoring g2 on the 8th semiquaver. The patent mistake was corrected in EE. In addition, none of the sources includes the restoring b2 on the 15th semiquaver. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors repeated in GE , Errors repeated in EE |
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b. 241
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composition: Op. 22, Polonaise
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There is no before the mark at the end of the 1st half of the bar in FE. It may be a result of a misunderstanding related to the abridged notation of b. 241-260 in [A]. The mark was added in GE and EE. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , GE revisions |
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b. 257
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composition: Op. 22, Polonaise
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In FE (→GE), there is no restoring g2 on the 8th semiquaver and no restoring b2 on the 15th semiquaver. Both manifest mistakes were corrected in EE. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors repeated in GE |