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Issues : Errors repeated in EE
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b. 232
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composition: Op. 22, Polonaise
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The flat restoring b category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE , Omissions to cancel alteration , Errors repeated in GE , Errors repeated in EE |
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b. 237
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composition: Op. 22, Polonaise
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In FE (→GE), there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors repeated in GE , Errors repeated in EE |
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b. 252
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composition: Op. 22, Polonaise
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Just like in b. 232, all sources are lacking in the category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE , Omissions to cancel alteration , Errors repeated in GE , Errors repeated in EE |
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b. 264
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composition: Op. 22, Polonaise
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The notation of the last two quavers is inaccurate in the sources, since Chopin most probably considered the manner in which he wrote the chord on the 4th quaver of the bar – c category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Errors in FE , Omissions to cancel alteration , GE revisions , Cautionary accidentals , Errors repeated in GE , Errors repeated in EE |
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b. 268
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composition: Op. 22, Polonaise
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The second half of the bar is written in the sources even more carelessly than in b. 264. In FE (→GE1), there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Errors repeated in GE , Errors repeated in EE |
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