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b. 201
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composition: Op. 22, Polonaise
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Like in b. 57, the way the L.H. and the R.H. are aligned almost certainly suggests a mistake, since it results in harmonic discrepancy. Therefore, in the main text we arrange the L.H. part in accordance with the rhythmic values of the first two R.H. notes. In addition, in the main text we suggest adding a L.H. slur after a similar figure from the preceding bar as well as in b. 17-18. The slur was also added in EE, running from the first out of two semiquavers. category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE |
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b. 201
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composition: Op. 22, Polonaise
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Just like in b. 57, we consider the missing slur over the accompanying L.H. figure to be Chopin's oversight. The slur was also added in EE. See the next note. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 202
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composition: Op. 22, Polonaise
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In the main text we add an f quaver (tied) on the 3rd beat of the bar, by analogy to b. 20 and 164. category imprint: Editorial revisions |
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b. 202-213
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composition: Op. 22, Polonaise
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From b. 186 to b. 219, the text of FE, encompassing pp. 17-18, is identical to b. 42-75 (pp. 9-10), since it was only two plates that were used to print these four pages in FE, out of which each was provided with double pagination. category imprint: Source & stylistic information |
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b. 203-204
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composition: Op. 22, Polonaise
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Just like in b. 59-60, EE are lacking in both flats lowering d2 to d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors repeated in EE |
2 and in the cautionary 
before d3. Chopin added all three accidentals only just in the last stage of proofreading of