



b. 124
|
composition: Op. 22, Polonaise
..
In FE (→GE1), there is not a single accidental under the octave sign. The patent inaccuracy – the preceding flats before d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
|||||
b. 125
|
composition: Op. 22, Polonaise
..
The missing category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark |
|||||
b. 125
|
composition: Op. 22, Polonaise
..
In the main text we add a cautionary category imprint: Editorial revisions |
|||||
b. 125
|
composition: Op. 22, Polonaise
..
Semiquavers instead of small quavers are an arbitrary revision of GE. This inauthentic version was also introduced in EE2, most probably on the basis of comparison with GE1. The same in b. 126. category imprint: Differences between sources issues: EE revisions , GE revisions |
|||||
b. 126
|
composition: Op. 22, Polonaise
..
Just like in b. 125, the version of GE is an arbitrary decision of the engraver, repeated in EE2. category imprint: Differences between sources issues: EE revisions , GE revisions |