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Issues : EE revisions
b. 130
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composition: Op. 22, Polonaise
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EE1 features the initial version of the 6th semiquaver, changed in the penultimate stage of proofreading of FE (→GE). The changes of the correction performed on the plate are clearly visible in FE. In addition, the changed note (b category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE , Main-line changes |
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b. 132
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composition: Op. 22, Polonaise
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FE (→GE) are lacking in the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions |
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b. 133-136
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composition: Op. 22, Polonaise
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The shortened slurs and accents of EE, as well as the wedge over the 1st sixth in b. 135, are unjustified revisions of this edition (analogous additions were introduced in b. 136-137 too). Chopin confirmed the performance manner of these motifs (written down in FE (→GE)) in analogous b. 141-142 and 143-144 (and partially also 142-143 and 144-145), in which, after all, EE did not change the slurs. category imprint: Differences between sources issues: EE revisions |
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b. 134-137
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composition: Op. 22, Polonaise
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The accents over the 2nd sixth in b. 134-136 and the wedges over the first one in b. 135 and 137 are arbitrary additions of the revision of EE – see the notes to b. 133-136 and 136-137. category imprint: Differences between sources issues: EE revisions |
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b. 136-137
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composition: Op. 22, Polonaise
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We suggest adding a slur in the main text, which, as indicated by the comparison with three previous similar motifs, was most probably overlooked. In turn, there are no grounds to regard the versions of GE and EE, in which the 1st quaver in b. 137 was provided with a staccato mark, as authentic. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |