![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : EE revisions
b. 114
|
composition: Op. 22, Polonaise
..
EE1 is lacking in the cautionary category imprint: Differences between sources issues: EE revisions , Cautionary accidentals , Authentic corrections of FE |
|||||
b. 120-121
|
composition: Op. 22, Polonaise
..
In the main text we preserve the slur of FE (→GE), which is most probably authentic. We consider the version of EE, which one can see as an editorial revision or as the initial version of this fragment, to be a variant of uncertain authenticity. category imprint: Differences between sources issues: EE revisions |
|||||
b. 124
|
composition: Op. 22, Polonaise
..
In FE (→GE1), there is not a single accidental under the octave sign. The patent inaccuracy – the preceding flats before d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
|||||
b. 125
|
composition: Op. 22, Polonaise
..
The missing category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark |
|||||
b. 125
|
composition: Op. 22, Polonaise
..
Semiquavers instead of small quavers are an arbitrary revision of GE. This inauthentic version was also introduced in EE2, most probably on the basis of comparison with GE1. The same in b. 126. category imprint: Differences between sources issues: EE revisions , GE revisions |