Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 22, Polonaise
In the previous bar Chopin extended the bass d note with an additional crotchet stem. This suggests that the absence of such an extension in the discussed bar may be an oversight. Therefore, we suggest an appropriately completed version as an alternative solution. In the main text, however, we preserve the d note as a quaver, since the same difference in duration – crotchet in b. 127 and quaver in b. 128 – is present in the cellos part, which shows that the rhythmic value and function in the phrase of each of these notes were different in Chopin's mind.
See the note below.
Compare the passage in the sources »
category imprint: Editorial revisions
notation: Rhythm