Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 22, Polonaise
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Long accents suggested by the editors |
According to us, there is a high probability that Chopin meant the accents in b. 85 and 87-89 to be long. Long notes constitute a typical context for these marks, cf., e.g. the Concerto in F Minor, Op. 21, I mov., b. 125-126.
Compare the passage in the sources »
category imprint: Editorial revisions
notation: Articulation, Accents, Hairpins
