Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
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Op. 22, Polonaise
The missing staccato dots under the bass octaves at the beginning of these bars must be an inaccuracy of notation. Dots are present in analogous b. 227-228 and 247-248 as well as 244. After all, the staccato articulation results here from the very piano texture, hence we do not signalise the addition of the marks with brackets.
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category imprint: Editorial revisions
notation: Articulation, Accents, Hairpins