Page: 
Source: 
p. 5, b. 67-96
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-49
p. 4, b. 50-66
p. 5, b. 67-96
p. 6, b. 97-114
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Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 83-95

No marks in FE (→GE)

Accents in EE

The accents added in EE in b. 83 and 95 may be considered justified: all the remaining, similar motifs (9) are accented, hence there is a possibility that the marks were overlooked. However, we do not suggest a corresponding addition in the main text, since both mentioned bars stand out due to the presence of a triplet on the 1st beat of the bar, which could have somehow changed the Chopinesque hearing of the energy of these bars. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1, GE1a, GE2, GE3, FE1, FED, EE1, EE2