Page: 
Source: 
p. 3, b. 34-49
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-49
p. 4, b. 50-66
p. 5, b. 67-96
p. 6, b. 97-114
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 48

Grace note in FE (→GE)

No grace note in EE

Grace note & arpeggio suggested by the editors

EE include the original version of this place, completed by Chopin in the last phase of proofreading of FE (→GE): in FE in the place of the grace note there is a trace of removal of the  raising c2 to c2. By adding a grace note before the chord, Chopin would have probably meant one of his favourite means: arpeggio with repeated bottom note; however, there was no place left for the arpeggio's wavy line. Due to the above reason, we explicitly insert an arpeggio sign in the main text.

Compare the passage in the sources »

category imprint: Editorial revisions; Corrections & alterations

issues: Authentic corrections of FE

notation: Ornaments

Missing markers on sources: GE1, GE1a, GE2, GE3, FE1, FED, EE1, EE2