Page: 
Source: 
p. 5, b. 67-96
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-49
p. 4, b. 50-66
p. 5, b. 67-96
p. 6, b. 97-114
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Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 78-90

Notation in sources

Notation suggested by the editors

The sparing Chopinesque notation in b. 78 and 90 – no clear indication that the last crotchet still falls within the minim – may be misleading and it actually misled the engraver of FE, who laid out 3 beats of each of these bars as if they were 4/4 bars (see FE in the version 'transcription'). The erroneous layout was not repeated in GE and EE, yet in EE an extending dot next to the g minim was added, which means that the engraver counted four beats in this bar (the erroneous dot was removed in EE2). In the main text, in order to avoid doubts, we specify the mutual relation between the L.H. voices.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Inaccuracies in FE

notation: Rhythm

Missing markers on sources: GE1, GE1a, GE2, GE3, FE1, FED, EE1, EE2