Page: 
Source: 
p. 3, b. 34-49
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-49
p. 4, b. 50-66
p. 5, b. 67-96
p. 6, b. 97-114
GE1 - First German edition
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 43

Notation in FE, literal reading

Notation in FE (contextual interpretation→EE)

Our alternative suggestion

Our second alternative suggestion

In FE the layout of the R.H. run against the L.H. semiquavers almost certainly does not correspond to the performance intended by Chopin – cf. similar situations in b. 17 and 41, in which the R.H. part was laid out 'at a guess,' without considering its alignment with the L.H. part. Therefore, in the main text we suggest the layout adopted in EE, which suggests the run's tempo comparable to the one of the remaining figures written in small notes. The alternative versions are based on an assumption that, just like in the remaining figures, the notation of [A] indicated the performance manner with the help of the rhythmic values of the remaining notes in the bar, yet in the editions the value of the first a2 was misinterpreted.

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category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: EE revisions, Inaccuracies in FE

notation: Rhythm

Missing markers on sources: GE1, GE1a, GE2, GE3, FE1, FED, EE1, EE2