Issues : GE revisions

b. 12

composition: Op. 22, Andante spianato

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In the main text we add a cautionary  before g2. The accidental was also added in EE and GE3.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 15

composition: Op. 22, Andante spianato

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In the 2nd half of the bar the L.H. semiquavers are arranged in FE in a way that the last one falls already under f3 in the R.H. The inaccuracy was corrected both in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Inaccuracies in FE , GE revisions

b. 17

composition: Op. 22, Andante spianato

Slur to g2 in FE (→EE) & GE2 (→GE3)

Slur to d2 in GE1

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In the main text we keep the notation of FE (→EE); however, it cannot be ruled out that it is GE1 that guessed Chopin's intention correctly. The engraver of FE could have shortened the slur due to the collision with the word loco, ending the octave sign. On the other hand, the slurs in the remaining runs also reach only the last of the group of small quavers.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 19

composition: Op. 22, Andante spianato

Wedge in FE (→GE1,EE)

Staccato dot in GE2 (→GE3)

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The change of the wedge to a dot is a manifestation of a sui generis aversion of the engravers of GE to wedges, which were replaced with dots or omitted on a number of occasions (e.g. in b. 52 and in many places in the Polonaise).

category imprint: Differences between sources

issues: GE revisions

b. 20

composition: Op. 22, Andante spianato

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In EE and GE3 a cautionary  was added before the g2 crotchet.

category imprint: Differences between sources

issues: EE revisions , GE revisions