Issues : GE revisions
b. 39
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composition: Op. 22, Andante spianato
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It is unclear how 7 R.H. semiquavers should be grouped, according to Chopin. According to us, the grouping indicated by Chopin in analogous b. 15 is the most likely; a corresponding digit was added in GE. An alternative solution is a septuplet, which is a default interpretation in the face of the absence of other indications. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , GE revisions |
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b. 44
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composition: Op. 22, Andante spianato
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The grace note slashed in GE2 (→GE3) is an arbitrary revision. However, it is uncertain whether the notation of the earlier sources indicates a different performance, since Chopin would sometimes not carefully differentiate between both types of grace notes, particularly in the case of small quavers. category imprint: Differences between sources issues: GE revisions |
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b. 44
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composition: Op. 22, Andante spianato
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category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 50
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composition: Op. 22, Andante spianato
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FE feature accellerando (with doubled 'l') in this place. The mistake, certainly coming from Chopin (cf., e.g. the Impromptu in A Major, Op. 29, b. 25), was corrected both in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Errors repeated in FE |
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b. 52
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composition: Op. 22, Andante spianato
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The change of the staccato mark is a frequent discretion of GE. category imprint: Differences between sources issues: GE revisions |