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p. 7, b. 143-158
p. 1, b. 1-27
p. 2, b. 28-60
p. 3, b. 61-87
p. 4, b. 88-105
p. 5, b. 106-124
p. 6, b. 125-142
p. 7, b. 143-158
p. 8, b. 159-173
p. 9, b. 174-188
p. 10, b. 189-206
p. 11, b. 207-225
p. 12, b. 226-243
p. 13, b. 244-260
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EE - English edition
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EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FEO - Orda copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
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EE1 - First English edition
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EE3 - Revised impression of EE2
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  b. 157

in FE (→GE,EE)

suggested by the editors

We place the semiquaver ending the bar over the last note of the triplet of the accompaniment, in accordance with the rule to which Chopin adhered his entire life. In FE (→GEEE), the semiquaver is placed after the 3rd note of the triplet, most probably due to the unfamiliarity with the Chopinesque habit – the Bolero is the first (and only) piece by Chopin issued by this French publisher. Similarly, in bar 163.

Compare the passage in the sources »

category imprint: Interpretations within context; Editorial revisions

issues: Inaccuracies in FE

notation: Rhythm

Missing markers on sources: FE1, FEO, FES, FESf, GE1, EE1, EE2, EE3