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Issues : Inaccuracies in FE
b. 1-3
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composition: Op. 19, Bolero
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In FE there are no separate fermatas for the octaves in the L.H. The marks were added by the revisers of GE and EE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 17-18
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composition: Op. 19, Bolero
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The slightly longer hairpin of FE (→EE), ending under e category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , Scope of dynamic hairpins |
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b. 31
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composition: Op. 19, Bolero
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In FE, the accent on the 1st semiquaver in bar 31 is clearly longer than the accents in the adjacent bars. GE and EE considered it an insignificant inaccuracy, which has to be regarded as a right decision in this context. category imprint: Graphic ambiguousness; Source & stylistic information issues: Inaccuracies in FE |
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b. 77
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composition: Op. 19, Bolero
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FE does not have an accidental before the last note in the bar. In this type of situations, Chopin generally considered the previous signs placed an octave lower to be binding (e.g. like in the case of the previous note, g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , Errors in EE , GE revisions |
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b. 157
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composition: Op. 19, Bolero
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We place the semiquaver ending the bar over the last note of the triplet of the accompaniment, in accordance with the rule to which Chopin adhered his entire life. In FE (→GE→EE), the semiquaver is placed after the 3rd note of the triplet, most probably due to the unfamiliarity with the Chopinesque habit – the Bolero is the first (and only) piece by Chopin issued by this French publisher. Similarly, in bar 163. category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE |