Issues : Authentic corrections of FE
b. 38-39
|
composition: Op. 19, Bolero
..
In FE one can see traces of proofreading of an earlier, inaccurate slur, encompassing four semiquavers only. This too short slur is present also in GE, which most probably means that the correction in FE was performed in the last stage of proofreading. The absence of the slur in EE1 resulted from the engraver's oversight, corrected in EE2 (→EE3), most probably on the basis of comparison with GE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , EE inaccuracies , Authentic corrections of FE |
||||||||
b. 76-79
|
composition: Op. 19, Bolero
..
 
category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
||||||||
b. 77
|
composition: Op. 19, Bolero
..
In GE there is no cautionary before c3. The mark was most probably added – perhaps by Chopin – in FE (→EE) in the last phase of proofreading, since no place was provided for it while laying out the text in FE. category imprint: Differences between sources issues: Authentic corrections of FE |
||||||||
b. 81-83
|
composition: Op. 19, Bolero
..
GE does not have a cautionary before e2, the 2nd note in bars 81 and 83. The signs were most probably added in the last proofreading of FE (→EE), perhaps on Chopin's initiative. category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
||||||||
b. 122
|
composition: Op. 19, Bolero
..
In FE, there is a visible trace of proofreading of the ending of the slur that initially encompassed bar 122 only. category imprint: Source & stylistic information issues: Authentic corrections of FE |