Fingering
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b. 6-18
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composition: Op. 19, Bolero
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The fingering in the entire EE is inauthentic, and it comes from the editor – on this page only for the R.H. in bars 6, 9 and 16-18. category imprint: Differences between sources issues: EE revisions |
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b. 140
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composition: Op. 19, Bolero
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The interpretation of the fingering written in FEO is not certain. The digits written therein imply a division of the passage between the hands, different from the one following from the printed layout of beams; however, it was not marked in any way – all digits are above the notes. Therefore, it cannot be excluded that, on the 2nd crotchet in the bar, digits for the 2nd and 3rd semiquavers were swapped by mistake. category imprint: Graphic ambiguousness; Differences between sources |
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b. 141
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composition: Op. 19, Bolero
category imprint: Differences between sources |
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b. 143-147
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composition: Op. 19, Bolero
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In the main text, we give a fingering coming probably from Chopin, added in pencil in FEO under the last and first quavers in the L.H. category imprint: Differences between sources |
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b. 160
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composition: Op. 19, Bolero
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We adopt a Chopinesque fingering written in pencil in FES to the main text. The last two digits are also in FEO. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Annotations in FEO |
