Issues : Authentic corrections of FE
- « Previous
- 1
- 2
- Next »
b. 188
|
composition: Op. 19, Bolero
..
In GE, there is no restoring a1 at the end of the bar. This patent mistake was most probably originally present also in FE (and probably also in [A]), in which, however, it was corrected in the last proofreading. category imprint: Interpretations within context; Differences between sources |
|||||
b. 232
|
composition: Op. 19, Bolero
..
The version of GE must be erroneous – cf. analogous bar 120. The mistake was probably also in FE, where, however, it was corrected – perhaps by Chopin – in the last phase of proofreading. category imprint: Differences between sources |
|||||
b. 236
|
composition: Op. 19, Bolero
..
GE features on the first crotchet in the bar. It is probably the original version, corrected by Chopin in the last stage of development of FE (→EE). category imprint: Differences between sources issues: Authentic corrections of FE |
|||||
b. 254-255
|
composition: Op. 19, Bolero
..
GE has cautionary next to g1 in bars 254 and 255. These superfluous signs were also in FE, yet they were removed, most probably in the last proofreading. In EE3, the reviser added both signs, perhaps by comparison with GE. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE , FE revisions |
|||||
b. 256-257
|
composition: Op. 19, Bolero
..
In FE, there are visible traces of removal of superfluous cautionary next to all b1 in bars 256 and 257. The signs were probably removed in the first proofreading of FE, since they are absent both in GE and EE (cf. bars 254-255). category imprint: Source & stylistic information issues: Cautionary accidentals , Authentic corrections of FE , FE revisions |
- « Previous
- 1
- 2
- Next »