Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Rhythm
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Rhythm

b. 46-47

composition: Op. 19, Bolero

c2 tied in FE (→GE) & EE2 (→EE3)

c2 repeated in EE1

..

In EE1 the engraver overlooked the tie of c2. The mistake was corrected already in EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 62-63

composition: Op. 19, Bolero

..

In EE1 the engraver overlooked the tie of e1. The defect was removed in EE2 (→EE3).

category imprint: Differences between sources

issues: Errors in EE

b. 89

composition: Op. 19, Bolero

..

The missing tie of ein EE1 is a mistake of the engraver. It was added already in EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 157

composition: Op. 19, Bolero

in FE (→GE,EE)

suggested by the editors

..

We place the semiquaver ending the bar over the last note of the triplet of the accompaniment, in accordance with the rule to which Chopin adhered his entire life. In FE (→GEEE), the semiquaver is placed after the 3rd note of the triplet, most probably due to the unfamiliarity with the Chopinesque habit – the Bolero is the first (and only) piece by Chopin issued by this French publisher. Similarly, in bar 163.

category imprint: Interpretations within context; Editorial revisions

issues: Inaccuracies in FE

b. 163

composition: Op. 19, Bolero

in FE (→GE,EE)

suggested by the editors

category imprint: Editorial revisions