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p. 17, b. 425-445
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It is unclear whether Chopin had a long accent in mind, emphasising the last chord of the cadence, or a short , related to the passage opening the four-bar, wavy sequence. In the main text we favour the first interpretation.
category imprint: Graphic ambiguousness
issues: Long accents
notation: Articulation, Accents, Hairpins
Missing markers on sources:
A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3