Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 21, Concerto in F minor, Mvt III
Page:
Source:
p. 11, b. 261-280
p. 1, b. 1-32
p. 2, b. 33-69
p. 3, b. 70-92
p. 4, b. 93-112
p. 5, b. 113-136
p. 6, b. 137-170
p. 7, b. 171-195
p. 8, b. 196-220
p. 9, b. 221-240
p. 10, b. 241-260
p. 11, b. 261-280
p. 12, b. 281-308
p. 13, b. 309-334
p. 14, b. 335-366
p. 15, b. 367-398
p. 16, b. 399-424
p. 17, b. 425-445
p. 18, b. 446-466
p. 19, b. 467-487
p. 20, b. 488-514
Main text
Main text
½A
- Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE
- German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE
- French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE
- English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes:
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A
- Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE
- German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE
- French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE
- English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
In A Chopin wrote in the part of the R.H. the text of the next bar by mistake. Having noticed the error, he crossed out the bar and wrote the correct text on an adjacent stave.
Compare the passage in the sources»
category imprint: Source & stylistic information
issues: Corrections in A
notation: Pitch
Missing markers on sources:
A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3