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Source:
p. 14, b. 335-366
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A more accurate specification of the unexpected B
7 chord in the solo part already at the beginning of the bar must be a Chopinesque improvement introduced in the proofreading of FE (→EE). It is already a second change in this bar with respect to the earliest preserved version, after the rhythmic diversification – see the adjacent note.
Compare the passage in the sources»
category imprint: Differences between sources
issues: Accompaniment changes, Authentic corrections of FE
notation: Articulation, Accents, Hairpins
Missing markers on sources:
A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3