Page: 
Source: 
p. 11, b. 261-280
p. 1, b. 1-32
p. 2, b. 33-69
p. 3, b. 70-92
p. 4, b. 93-112
p. 5, b. 113-136
p. 6, b. 137-170
p. 7, b. 171-195
p. 8, b. 196-220
p. 9, b. 221-240
p. 10, b. 241-260
p. 11, b. 261-280
p. 12, b. 281-308
p. 13, b. 309-334
p. 14, b. 335-366
p. 15, b. 367-398
p. 16, b. 399-424
p. 17, b. 425-445
p. 18, b. 446-466
p. 19, b. 467-487
p. 20, b. 488-514
Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 270-272

4 accents in A & GE2

3 accents in GE1

3 accents in FE

4 accents in EE

The omission of the 2nd accent in bar 272 in GE1 (→FE) must be an oversight. The accents in FE are placed inaccurately – the second one in bar 270 can be interpreted to apply to the 7th quaver, whereas the sign in bar 272 was placed under the 3rd note in the bar. In EE the 2nd accent in bar 272 was added, yet it was placed under the 1st note of the triplet, analogously to the one in bar 270. Both remaining accents were arbitrarily changed to vertical ones.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in FE, Errors in GE

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3