At the beginning of the bar, we give G in the main text, present as the bass note in the orchestral part, Morch. It would be unthinkable that the F seventh placed in the bass would remain unresolved, moving on to C in the next bar, present in the double bass part. A possible reason for the erroneous presence of the F note in A is imagining only the solo piano part when writing A, in haste. In this case, the actual bass line (including pedalling) forms an A
-G-F sequence:
.
The version with F may be considered an acceptable variant only when performing the piece without accompaniment.
category imprint: Interpretations within context; Differences between sources; Editorial revisions
issues: Errors of A
notation: Pitch