|
|
Semiquaver in A |
|
|
Slashed grace note in GE1 |
|
|
|
|
|
Grace note in GE2 |
|
|
Rest & semiquaver suggested by the editors |
The semiquaver opening the bassoon motif was given the form of a slashed grace note in GE, which could have been influenced by the notation of A, in which the grace note is unusually small. On the other hand, in A it is written as a semiquaver, in accordance with the rhythm in Morch in the part of bassoon, which is playing this motif. Therefore, it is unlikely that a grace note would be compliant with Chopin's intention. The reason for the change could have been formal rhythmic correctness, since due to the lack of rests before this note, only a grace note fits smoothly between three crotchets of this bar. In turn, it is difficult to say what the motivation of the person (Chopin?) who changed the grace note to a quaver in FE (→#EE) was. In the main text we choose the undoubtedly authentic notation of A, adding the rest overlooked by Chopin for the record.
Compare the passage in the sources»
category imprint: Differences between sources; Corrections & alterations
issues: GE revisions, Authentic corrections of FE, FE revisions
notation: Rhythm