Page: 
Source: 
p. 74, b. 494-499
p. 1
p. 2, b. 1-7
p. 3, b. 8-16
p. 4, b. 17-25
p. 5, b. 26-33
p. 6, b. 34-40
p. 7, b. 41-47
p. 8, b. 48-56
p. 9, b. 57-65
p. 10, b. 66-74
p. 11, b. 75-82
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p. 14, b. 95-100
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p. 16, b. 107-112
p. 17, b. 113-118
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p. 20, b. 131-137
p. 21, b. 138-145
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p. 31, b. 206-212
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p. 51, b. 337-345
p. 52, b. 346-353
p. 53, b. 354-360
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p. 73, b. 487-493
p. 74, b. 494-499
p. 75, b. 500-505
p. 76, b. 506-510
p. 77, b. 511-514
p. 78
A - Autograph of the piano part
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
Prezentacja
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copy link PDF A - Autograph of the piano part

Original in: Biblioteka Narodowa, Warsaw


  b. 494-502

 in A & GE2

No pedalling in GE1 (→FEEE)

 & [] suggested by the editors

No pedalling markings in GE1 (→FEEE) must be an oversight – in A the  mark is written carelessly and just above the clef opening the line of the cello part in Morch, so it could have been unrecognised. According to us, Chopin wanted to hold pedal at least until the end of bar 501 – cf. an analogous situation in bars 353-356. In the main text we suggest it with a mark in bar 502.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in GE, GE revisions, No pedal release mark

notation: Pedalling

Missing markers on sources: A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3