mUltimate Chopin

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Source:

p. 74, b. 494-499

p. 1

p. 2, b. 1-7

p. 3, b. 8-16

p. 4, b. 17-25

p. 5, b. 26-33

p. 6, b. 34-40

p. 7, b. 41-47

p. 8, b. 48-56

p. 9, b. 57-65

p. 10, b. 66-74

p. 11, b. 75-82

p. 12, b. 83-88

p. 13, b. 89-94

p. 14, b. 95-100

p. 15, b. 101-106

p. 16, b. 107-112

p. 17, b. 113-118

p. 18, b. 119-124

p. 19, b. 125-130

p. 20, b. 131-137

p. 21, b. 138-145

p. 22, b. 146-152

p. 23, b. 153-159

p. 24, b. 160-166

p. 25, b. 167-173

p. 26, b. 174-180

p. 27, b. 181-186

p. 28, b. 187-192

p. 29, b. 193-199

p. 30, b. 200-205

p. 31, b. 206-212

p. 32, b. 213-218

p. 33, b. 219-224

p. 34, b. 225-230

p. 35, b. 231-236

p. 36, b. 237-242

p. 37, b. 243-248

p. 38, b. 249-254

p. 39, b. 255-260

p. 40, b. 261-266

p. 41, b. 267-272

p. 42, b. 273-278

p. 43, b. 279-284

p. 44, b. 285-290

p. 45, b. 291-298

p. 46, b. 299-305

p. 47, b. 306-314

p. 48, b. 315-321

p. 49, b. 322-328

p. 50, b. 329-336

p. 51, b. 337-345

p. 52, b. 346-353

p. 53, b. 354-360

p. 54, b. 361-368

p. 55, b. 369-376

p. 56, b. 377-382

p. 57, b. 383-389

p. 58, b. 390-398

p. 59, b. 399-407

p. 60, b. 408-414

p. 61, b. 415-420

p. 62, b. 421-426

p. 63, b. 427-432

p. 64, b. 433-438

p. 65, b. 439-444

p. 66, b. 445-450

p. 67, b. 451-456

p. 68, b. 457-462

p. 69, b. 463-468

p. 70, b. 469-474

p. 71, b. 475-480

p. 72, b. 481-486

p. 73, b. 487-493

p. 74, b. 494-499

p. 75, b. 500-505

p. 76, b. 506-510

p. 77, b. 511-514

p. 78

A - Autograph of the piano part

Main text

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Importance

Undo Clear

image transcript edited text

Prezentacja

Select

copy link PDF A - Autograph of the piano part

Original in: Biblioteka Narodowa, Warsaw

b. 494-502

in A & GE2

No pedalling in GE1 (→FE→EE)

& [] suggested by the editors

No pedalling markings in GE1 (→FE→EE) must be an oversight – in A the mark is written carelessly and just above the clef opening the line of the cello part in Morch, so it could have been unrecognised. According to us, Chopin wanted to hold pedal at least until the end of bar 501 – cf. an analogous situation in bars 353-356. In the main text we suggest it with a mark in bar 502.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in GE, GE revisions, No pedal release mark

notation: Pedalling

Missing markers on sources: A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3

Complete ➔

Op. 21, Concerto in F minor, Mvt III