mUltimate Chopin

Page:

Source:

p. 75, b. 500-505

p. 1

p. 2, b. 1-7

p. 3, b. 8-16

p. 4, b. 17-25

p. 5, b. 26-33

p. 6, b. 34-40

p. 7, b. 41-47

p. 8, b. 48-56

p. 9, b. 57-65

p. 10, b. 66-74

p. 11, b. 75-82

p. 12, b. 83-88

p. 13, b. 89-94

p. 14, b. 95-100

p. 15, b. 101-106

p. 16, b. 107-112

p. 17, b. 113-118

p. 18, b. 119-124

p. 19, b. 125-130

p. 20, b. 131-137

p. 21, b. 138-145

p. 22, b. 146-152

p. 23, b. 153-159

p. 24, b. 160-166

p. 25, b. 167-173

p. 26, b. 174-180

p. 27, b. 181-186

p. 28, b. 187-192

p. 29, b. 193-199

p. 30, b. 200-205

p. 31, b. 206-212

p. 32, b. 213-218

p. 33, b. 219-224

p. 34, b. 225-230

p. 35, b. 231-236

p. 36, b. 237-242

p. 37, b. 243-248

p. 38, b. 249-254

p. 39, b. 255-260

p. 40, b. 261-266

p. 41, b. 267-272

p. 42, b. 273-278

p. 43, b. 279-284

p. 44, b. 285-290

p. 45, b. 291-298

p. 46, b. 299-305

p. 47, b. 306-314

p. 48, b. 315-321

p. 49, b. 322-328

p. 50, b. 329-336

p. 51, b. 337-345

p. 52, b. 346-353

p. 53, b. 354-360

p. 54, b. 361-368

p. 55, b. 369-376

p. 56, b. 377-382

p. 57, b. 383-389

p. 58, b. 390-398

p. 59, b. 399-407

p. 60, b. 408-414

p. 61, b. 415-420

p. 62, b. 421-426

p. 63, b. 427-432

p. 64, b. 433-438

p. 65, b. 439-444

p. 66, b. 445-450

p. 67, b. 451-456

p. 68, b. 457-462

p. 69, b. 463-468

p. 70, b. 469-474

p. 71, b. 475-480

p. 72, b. 481-486

p. 73, b. 487-493

p. 74, b. 494-499

p. 75, b. 500-505

p. 76, b. 506-510

p. 77, b. 511-514

p. 78

A - Autograph of the piano part

Main text

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Select notes:

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Category

Notation

Differences

No differences

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Importance

Undo Clear

image transcript edited text

Issues : GE revisions [Delete]

Prezentacja

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copy link PDF A - Autograph of the piano part

b. 504-508

In A Chopin wrote naturals before the last note in the bar in four places – e and e¹ in bar 504, E in bar 505 and e³ in bar 508. Not only did GE1 repeated these signs, but it also added corresponding naturals in the R.H. in bars 505 and in the L.H. in bar 508. The unnecessary signs were removed in FE (→EE) and partially also in GE2 (only in bar 508).

Compare the passage in the sources »

category imprint: Editorial revisions

issues: GE revisions, Cautionary accidentals, Authentic corrections of FE, Last key signature sign

notation: Pitch

Missing markers on sources: A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3

Complete ➔

Op. 21, Concerto in F minor, Mvt III