Page: 
Source: 
p. 19, b. 467-487
p. 1, b. 1-32
p. 2, b. 33-69
p. 3, b. 70-92
p. 4, b. 93-112
p. 5, b. 113-136
p. 6, b. 137-170
p. 7, b. 171-195
p. 8, b. 196-220
p. 9, b. 221-240
p. 10, b. 241-260
p. 11, b. 261-280
p. 12, b. 281-308
p. 13, b. 309-334
p. 14, b. 335-366
p. 15, b. 367-398
p. 16, b. 399-424
p. 17, b. 425-445
p. 18, b. 446-466
p. 19, b. 467-487
p. 20, b. 488-514
FE1 - First French edition
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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copy link PDF FE1 - First French edition


  b. 476-477

In A, Chopin wrote only two naturals in this place – before the 2nd quaver in bar 476 and before the bottom note of the 1st quaver in bar 477. The missing signs before the 1st octave in the L.H. in bar 476 are the only case in the entire fragment in which the first occurrence of a note in a bar was not marked correctly. It probably indicates that the part of the L.H. was written after the passages in the R.H., hence the first b Chopin encountered while writing was the 2nd quaver, written on the bottom stave. Considering that the  is valid also for the topmost note in the L.H., all necessary naturals were added already in GE (→FEEE).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves, GE revisions, Omission of current key accidentals, Errors of A

notation: Pitch

Missing markers on sources: A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3