Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt III
b. 466
The unfinished slur of A does not allow us to state what its final rage should look like, particularly since the next bar is written on an adjacent stave (because of the crossings-out). In particular, it is uncertain whether the literal interpretation of the slur in bar 467 as separated from the previous one (and from the next one) adopted in GE (→FE→EE) is correct. In this situation, we consider the version of the editions to be one of the possibilities; we have chosen the continuous slur written by Chopin in analogous bars 426-427 to the main text.
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category imprint: Editorial revisions
issues:
notation: Pitch