Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt III
b. 456
The short accent in A was reproduced in GE1 as a long one, since the engravers were probably convinced that they were a diminuendo hairpin. This is how it was interpreted in FE (→EE), extending the mark to the end of the triplet, "for clarity." The form of the sign compliant with A was restored in GE2.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Long accents, Inaccuracies in GE, Inaccuracies in FE, GE revisions
notation: Articulation, Accents, Hairpins