Page: 
Source: 
p. 13, b. 432-457
p. 1
p. 2, b. 1-40
p. 3, b. 41-86
p. 4, b. 87-118
p. 5, b. 119-168
p. 6, b. 169-206
p. 7, b. 207-236
p. 8, b. 237-272
p. 9, b. 273-312
p. 10, b. 313-356
p. 11, b. 357-405
p. 12, b. 406-431
p. 13, b. 432-457
p. 14, b. 458-482
p. 15, b. 483-514
FE1 - First French edition
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
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copy link PDF FE1 - First French edition


  b. 435

 in A (→GEFE)

  in EE

Our variant suggestion

The pedalling of A (→GEFE) is questionable in this bar. Initially, both this and the next bar had a whole-bar pedalling. Chopin then crossed out both signs in bar 436 and a  in the discussed bar 435. It is difficult to guess what a sole  mark left in this bar could mean in this context, hence it seems that Chopin committed a mistake: he either forgot to cross out the  mark or he unnecessarily crossed out the  mark. According to us, the latter option seems to be more plausible; therefore, in the main text we give a completed pedalling, written in brackets to signalise that its status is not entirely certain. EE added a  in accordance with the harmonic sense. 

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, No pedal release mark, Inaccuracies in A

notation: Pedalling

Missing markers on sources: A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3