Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
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Op. 21, Concerto in F minor, Mvt III
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In this case – cf. bar 313 – a return to tempo primo at the recapitulation of the main theme is obvious to the pianist. However, it is not that obvious to the strings, performing a non-characteristic accompaniment. This explains the omission of a tempo in A (→GE→FE→EE). In the main text we suggest it in a variant form.
Compare the passage in the sources»
category imprint: Interpretations within context; Differences between sources
issues:
notation: Verbal indications