Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt III
b. 55
The sign in A is undoubtedly a long accent on the 2nd beat of the bar, although due to the crossing-out in the part of the R.H., its relation to the corrected chord partly disappeared. It was most probably the reason for the erroneous reproduction of the sign in GE1 (→FE→EE) as a whole-bar hairpin. GE2 deciphered the sign's function correctly, but not the kind of the used accent.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Long accents, Inaccuracies in GE, GE revisions
notation: Articulation, Accents, Hairpins