Issues : Terzverschreibung error

b. 5

composition: Op. 21, Concerto in F minor, Mvt III

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In FE the bottom note of the 1st crotchet is an erroneous f1 instead of a1 – cf. analogous bar 329 as well as similar situations in bars 11, 13, 27, 29 and analog., which always include a1. The visible traces of corrections prove that the mistake initially got to EE, in which it was, however, corrected in print.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Terzverschreibung error

b. 55

composition: Op. 21, Concerto in F minor, Mvt III

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The chord in the R.H. on the 2nd beat of the bar was crossed out in A and rewritten to the left of the original position. It is possible to read the initial notation – it was a chord written in two parts with a c2-f2-acrotchet in the bottom voice and an eminim in the top one. One can see that Chopin wrote one line too many and in the proofread version he also resigned from the fnote.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Terzverschreibung error , Errors in the number of ledger lines , Errors of A , Deletions in A

b. 210

composition: Op. 21, Concerto in F minor, Mvt III

e in A (→GE)

g in FE (→EE)

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The version of FE (→EE) could be considered a result of Chopin's proofreading. However, it can be a quite frequent so-called Terzverschreibung error, i.e. erroneously printing a note a third away from the correct one. In the main text we give the probably authentic, later version of FE. According to us, the earlier, yet undoubtedly authentic, version of A can be considered to be equal.

category imprint: Differences between sources; Corrections & alterations

issues: Terzverschreibung error , Authentic corrections of FE

b. 252

composition: Op. 21, Concerto in F minor, Mvt III

e1-a1 in A (→GE)

c1-a1 in FE (→EE)

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The c1-a1 sixth is most probably a mistake of the engraver of FE (→EE). It is difficult to assume that Chopin would like to replace the sequence of three voices of the accompaniment, compliant with all rules, with a parallel shift of chords, sounding worse.

category imprint: Differences between sources

issues: Errors in FE , Terzverschreibung error

b. 263

composition: Op. 21, Concerto in F minor, Mvt III

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FE has an erroneous e as the 2nd quaver.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Terzverschreibung error