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Issues : Corrections in A
b. 20
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there is a visible deletion of the original version with the dotted rhythm in the top voice. Moreover, in the first out of three written versions of the ending of the bar, the middle note of the chord was a g2. Cf. analogous bar 344. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 33
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composition: Op. 21, Concerto in F minor, Mvt III
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The division of the slur in A is probably the original version, left due to deletions and inability to write a continuous slur in a graceful way. However, such slur is in the L.H. and in GE (→FE→EE), where Chopin's possible intention was interpreted correctly. category imprint: Differences between sources issues: Corrections in A , Errors resulting from corrections , GE revisions |
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b. 33
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composition: Op. 21, Concerto in F minor, Mvt III
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In A, Chopin wrote the text of bar 35 in the part of the R.H. by accident. Having noticed his mistake, he deleted it and wrote the correct text on an adjacent stave. category imprint: Source & stylistic information issues: Corrections in A |
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b. 55
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composition: Op. 21, Concerto in F minor, Mvt III
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The chord in the R.H. on the 2nd beat of the bar was crossed out in A and rewritten to the left of the original position. It is possible to read the initial notation – it was a chord written in two parts with a c2-f2-a category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Terzverschreibung error , Errors in the number of ledger lines , Errors of A , Deletions in A |
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b. 59
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composition: Op. 21, Concerto in F minor, Mvt III
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In A, there is a visible correction of the middle note of the 2nd crotchet in the R.H. from f2 to e category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |