Issues : Errors repeated in EE

b. 29-31

composition: Op. 21, Concerto in F minor, Mvt III

3-note slurs in A & GE2

4- & 5-note slurs in GE1

5-note slurs in FE (→EE)

..

The range of the slurs of the R.H. in A is beyond doubt, although none of them transcends the bar line (cf. the slurs in the L.H., written more accurately). The slurs of GE1 surprise with their inaccuracy, and the ones of FE (→EE) even more. The notation of A was interpreted correctly only in GE2.

category imprint: Differences between sources

issues: Errors in FE , Inaccuracies in GE , GE revisions , Errors repeated in EE

b. 113-115

composition: Op. 21, Concerto in F minor, Mvt III

..

In bars 113 and 115 Chopin overlooked naturals raising d3 to d3. This patent mistake was not rectified in any of the editions.

category imprint: Interpretations within context; Editorial revisions

issues: Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 412

composition: Op. 21, Concerto in F minor, Mvt III

in A

in GE (→FEEE)

..

In the main text we preserve the unambiguous notation of the rhythm of A. Moving a semiquaver outside the last quaver of the triplet in the bottom voice is an arbitrary action characteristic of GE (→FEEE). The Breitkopf & Härtel publishing house would consistently apply a "mathematical" layout to such groups, denying the currency of the convention used by Chopin even in these places where the notation resulting from such a layout (as the discussed one) was absurd from the pianistic point of view, cf. the Nocturne in C minor, op. 27 no. 1, bars 5-13.

category imprint: Differences between sources

issues: GE revisions , Dotted rhythms and triplets , Errors repeated in FE , Errors repeated in EE

b. 414

composition: Op. 21, Concerto in F minor, Mvt III

..

In FE (→EE1EE2) a  was placed before b2, which is a mistake. Such a developed version, with a b2-dthird, is conspicuous only when performing the piece with orchestra (din the viola part), which may have contributed to the absence of a correction in EE1, generally carefully revised. In EE3 the  before b2 was preserved; in addition, a second one was added, lowering d3 to d3

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Errors repeated in EE

b. 502

composition: Op. 21, Concerto in F minor, Mvt III

..

In FE (→EE1EE2) the bottom note of the chord is an erroneous (corrected only in EE3). In A (→GE) the text is correct.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Errors repeated in EE