Issues : Errors repeated in GE

b. 102-103

composition: Op. 21, Concerto in F minor, Mvt III

..

In GE, the 2nd and 3rd triplets in bar 102 and the 1st and 2nd triplets in bar 103 were provided with an octave sign, so they are written an octave too high. The mistake stemmed from a change performed in the notation of this fragment – Chopin wrote it using an octave sign, whereas in GE1, planning on omitting 8 - - -, the notes were printed at the actual pitch, yet the octave sign was left by mistake. The error was corrected, probably by Chopin, in FE (→EE1), but it was unnoticed by the reviser of GE2. The erroneous octave sign was introduced also in EE2; EE3 restored the correct text. 

category imprint: Differences between sources

issues: Errors in GE , Authentic corrections of FE , Errors repeated in GE

b. 113-115

composition: Op. 21, Concerto in F minor, Mvt III

..

In bars 113 and 115 Chopin overlooked naturals raising d3 to d3. This patent mistake was not rectified in any of the editions.

category imprint: Interpretations within context; Editorial revisions

issues: Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 422

composition: Op. 21, Concerto in F minor, Mvt III

..

In A (→GEFE) there is no  restoring gon the 3rd beat of this bar. This patent oversight – cf. analogous bar 414 – was corrected only in EE. An identical mistake is to be found in A also in the two remaining appearances of similar figures (bars 454 and 462). In this type of texture, Chopin considered both voices independently, to a significant extent, hence an alteration forming part of the chromatic progression in the top voice did not influence the notes of the bottom voice, constituting the harmonic base, in the internal hearing of the composer. Cf. numerous mistakes of this kind and inaccuracies in the Etude in A minor, op. 10 no. 2, e.g. in bars 1 and 5, as well as in an opposite situation in the 1st mov. of the Concerto, bars 302 and 304.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE

b. 454-462

composition: Op. 21, Concerto in F minor, Mvt III

..

There is no  restoring gon the 3rd beat of bars 454 and 462 in A (→GEFE). The patent mistake was corrected only in EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE

b. 513

composition: Op. 21, Concerto in F minor, Mvt III

..

There is no bass clef in A (→GEFE) before the last bar. The mistake was corrected only in EE.

category imprint: Differences between sources

issues: EE revisions , Errors of A , Errors repeated in GE , Errors repeated in FE