Issues : Main-line changes
b. 68
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composition: Op. 21, Concerto in F minor, Mvt III
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Moving the 2nd crotchet an octave lower is undoubtedly a result of a Chopin proofreading of FE (→EE). He introduced an identical change in an analogous situation in bar 76. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 76
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composition: Op. 21, Concerto in F minor, Mvt III
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Same as in the previous phrase, Chopin moved the 2nd crotchet in the part of both hands an octave lower while proofreading FE (→EE). The given variants include the presence or absence of the staccato dot overlooked in GE1 (→FE→EE), together with three previous ones. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 219
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composition: Op. 21, Concerto in F minor, Mvt III
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The version of A (→GE→FE1), changed by Chopin in the proofreading of FE2 (→EE), was already a result of a correction in A – originally, the 7th quaver was most probably a c2. In the main text we give the latest of these three authentic versions. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Authentic corrections of FE , Main-line changes |
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b. 352
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composition: Op. 21, Concerto in F minor, Mvt III
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The layout of the notes in A suggests that the group of quavers initially included only four notes: . category imprint: Corrections & alterations issues: Corrections in A , Main-line changes |