Issues : Main-line changes

b. 68

composition: Op. 21, Concerto in F minor, Mvt III

F & f in A (→GE)

F1 & F in FE (→EE)

..

Moving the 2nd crotchet an octave lower is undoubtedly a result of a Chopin proofreading of FE (→EE). He introduced an identical change in an analogous situation in bar 76.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE , Main-line changes

b. 76

composition: Op. 21, Concerto in F minor, Mvt III

E & e in A & GE2 (staccato)

E & e in GE1 (no dot)

E1 & E (no dot) in FE (→EE)

E1 & E (staccato) suggested by the editors

..

Same as in the previous phrase, Chopin moved the 2nd crotchet in the part of both hands an octave lower while proofreading FE (→EE). The given variants include the presence or absence of the staccato dot overlooked in GE1 (→FEEE), together with three previous ones. 

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE , Main-line changes

b. 219

composition: Op. 21, Concerto in F minor, Mvt III

g1 in A (→GEFE1)

b1 in FE2 (→EE)

..

The version of A (→GEFE1), changed by Chopin in the proofreading of FE2 (→EE), was already a result of a correction in A – originally, the 7th quaver was most probably a c2. In the main text we give the latest of these three authentic versions.

category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A , Authentic corrections of FE , Main-line changes

b. 352

composition: Op. 21, Concerto in F minor, Mvt III

..

The layout of the notes in A suggests that the group of quavers initially included only four notes: .

category imprint: Corrections & alterations

issues: Corrections in A , Main-line changes