Issues : Errors of A
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b. 462-463
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composition: Op. 21, Concerto in F minor, Mvt III
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Just like in bars 422-423, the flats lowering e3 to e category imprint: Interpretations within context; Differences between sources issues: Errors in EE , Cautionary accidentals , Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 474-475
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composition: Op. 21, Concerto in F minor, Mvt III
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The missing slurs in A is a typical oversight of Chopin, related to the transition into a new page. GE1 (→FE→EE) added only the bottom slur, which, taking into account the double slurs in the adjacent bars, seems to be a simplified correction (or revision). category imprint: Differences between sources issues: GE revisions , Errors of A , Authentic corrections of GE |
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b. 475-480
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composition: Op. 21, Concerto in F minor, Mvt III
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These bars fill an entire page of A. On the previous page, Chopin wrote cresc. in bar 469 and marked its range with dashes until the end of the page (bar 474). The dashes appear then on the next page, from bar 481, yet there is no mark to which they could refer. It proves Chopin's mistake – either a new mark was supposed to be written in bars 475-480 or the composer forgot to write dashes extending cresc. from bar 469 in these bars. The latter seems to be much more likely, since the discussed bars continue the regular ascending progression, which started together with cresc. in bar 469. category imprint: Interpretations within context; Editorial revisions issues: Errors of A |
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b. 476-477
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composition: Op. 21, Concerto in F minor, Mvt III
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In A, Chopin wrote only two naturals in this place – before the 2nd quaver in bar 476 and before the bottom note of the 1st quaver in bar 477. The missing signs before the 1st octave in the L.H. in bar 476 are the only case in the entire fragment in which the first occurrence of a note in a bar was not marked correctly. It probably indicates that the part of the L.H. was written after the passages in the R.H., hence the first b Chopin encountered while writing was the 2nd quaver, written on the bottom stave. Considering that the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A |
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b. 481-484
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composition: Op. 21, Concerto in F minor, Mvt III
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A has only dashes marking the range of an unspecified indication in these bars, most probably cresc. from bar 469 – see bars 475-480. The cresc. marking, appearing in GE (→FE→EE) at the beginning of bar 481, was added probably by Chopin as proofreading of incomplete indications of A, hence we give it in the main text. category imprint: Differences between sources issues: Inaccuracies in FE , Errors of A , Authentic corrections of GE |
3 in 
before e2 in the L.H. in bar 463 prove that the version of 
is only in bar 463 (together with a 
